Once in Royal David’s City (Is Never Enough)

TMC Digging A Deeper Well

The ten most popular Christmas carols include Silent Night, Away in the Manger, Hark the Herald Angels Sing, The First Noel, It Came Upon a Midnight Clear … but alas, Once in Royal David’s City only clocks in at #14. Here are a couple of votes to renew attention to this biblically and theologically robust carol, penned by Cecil Frances Alexander in 1848 with the specific intent of teaching the Apostles’ Creed. Listening to it recently, we were reminded of the theological framework that shaped it—and that still speaks powerfully to church leaders today.

Once in royal David’s city
stood a lowly cattle shed,
where a mother laid her baby
in a manger for his bed:
Mary was that mother mild;
Jesus Christ, her little child.

He came down to earth from heaven
who is God and Lord of all,
and his shelter was a stable,
and his cradle was a stall;
with the poor and meek and lowly,
lived on earth our Savior holy.

Jesus is our childhood’s pattern;
day by day like us he grew;
he was little, weak and helpless;
tears and smiles like us he knew;
and he feels for all our sadness,
and he shares in all our gladness.

And our eyes at last shall see him,
through his own redeeming love;
for that child so dear and gentle
is our Lord in heaven above;
and he leads his children on
to the place where he is gone.

You might think of the hymn as a four-story building. Its first two floors establish Christ’s humble birth. Its middle floor traces his earthly life, his deeply human experiences. And its uppermost level takes us to our future with him in heaven.

The opening stanza reverberates with surprise. Royal David’s city opens its gates to reveal a lowly cattle shed. The contrast builds as the hymn continues. He came down to earth from heaven who is God and Lord of all, and his shelter was a stable, and his cradle was a stall. God could have orchestrated any arrival scenario. The stable wasn’t where God’s plan went wrong. It was where it went exactly right. The incarnation begins there because divine love makes itself accessible at every level.

In the third stanza, we encounter a startling claim: He was little, weak and helpless; tears and smiles like us he knew. This isn’t your typical description of deity. The God who spoke galaxies into existence experienced the helplessness of infancy. Day by day like us he grew—meaning there was a time when the Savior of the world couldn’t walk, couldn’t speak, couldn’t feed himself.

Perhaps the hymn’s most pastorally profound moment—And he feels for all our sadness, and he shares in all our gladness—moves beyond sympathy to empathy. Christ doesn’t observe our emotional life from a distance; he participates in it.

And then, in its final stanza, the hymn shifts upward:

And our eyes at last shall see him,
through his own redeeming love;
for that child so dear and gentle
is our Lord in heaven above;
and he leads his children on
to the place where he is gone.

Notice the progression: the child becomes the Lord, the manger gives way to the throne, but the movement isn’t triumphal — it’s relational. He leads his children on. The emphasis is on accompaniment, not command.

We can derive so much guidance for ministry today from “Once in Royal David’s City.” God’s realm doesn’t primarily advance through our own agendas and advantages. It advances through humility made strategic, through accessibility made intentional, through the long obedience in the direction that mirrors Christ’s earthly life.

Approaching Christmas this year, perhaps that’s the gift worth receiving — permission to follow faithfully in the same direction.

We wish you a joyful Christmas! May your leadership this coming year reflect the nativity’s wisdom: accessible, humble, and confident in the One who was born among us to raise us up.

 

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